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707074 Bibliotheca Alexandrina Compiled by Alaa Mahmoud 3 [ ] E 198.327 C1811a B 198.327 C1811 8991 [ ] E [ ] E C sha E C m Chekhov, Anton Pavlovich. Anton Chekhov: Selected Works in Two Volumes. Translated by Kathleen Cook. Mayan waterfall screensaver serial. Russian Classics Series.
Item Metadata Title Der Tod in Venedig: novella into film Creator Publisher University of British Columbia Date Issued 1973 Description The problem under investigation in this paper is that of the cinematic adaptation of Thomas Mann's novella Der Tod in Venedig. There are three main chapters. Chapter one provides background on the film's director, Luchino Visconti. It establishes the corpus of thought and film production into which the literary text is first assimilated. Chapter two details the major result of the director's attempt both to be faithful to his source material and to express something of himself — the changing of the novella's hero, Gustav von Aschenbach, from a writer into a composer loosely modelled on Gustav Mahler, and the concommitant use of music by Mahler. This pivotal change is discussed by an analysis of the director's own reasons for such a change and the pattern of ambiguity and irony created by the film's musical score.
The third chapter deals with what has been gained and what lost in the process of adaptation; the gains derived from the visualisation of Venice and certain of the novella's characters, the loss of the philosophic dimension and the sense of tragedy. Individual additions and deletions are discussed with the stress being on the inclusion of the ten flashback sequences. The concluding remarks establish the individuality of Morte a Venezia, distinguishing between Mann's 'tragic' novella and Visconti's cinematic melodrama. Genre Type Language eng Date Available 2011-03-31 Provider Vancouver: University of British Columbia Library Rights For non-commercial purposes only, such as research, private study and education. Additional conditions apply, see Terms of Use. DOI 10.14288/1.0101343 URI Degree Program Affiliation Degree Grantor University of British Columbia Campus Scholarly Level Graduate AggregatedSourceRepository DSpace Download Media [ 3.69MB ] Metadata JSON: JSON-LD: RDF/XML (Pretty): RDF/JSON: Turtle: N-Triples: Original Record: Full Text Citation Full Text.
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DER TOD IN VENEDIG:3 NOVELLA INTO FILM, by DONALD GEORGE MEAKINS B.A., University of British Columbia, 1967 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in the Programme • ^ in Comparative Literature We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA April, 1973 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make i t freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department The University of British Columbia Vancouver 8, Canada ABSTRACT The problem under investigation in this paper is that of the cinematic adaptation of Thomas Mann's novella Der Tod in Venedig. There are three main chapters.