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Liszt in March 1886, four months before his death, photographed by Franz Liszt ( German:;: Liszt Ferencz, in modern usage Liszt Ferenc; 22 October 1811 – 31 July 1886) was a prolific 19th-century,,,,,,,, and a during the. Liszt gained renown in Europe during the early nineteenth century for his prodigious virtuosic skill as a pianist. He was a friend, musical promoter and benefactor to many composers of his time, including,,,,,,,,,. As a composer, Liszt was one of the most prominent representatives of the ( Neudeutsche Schule).
He left behind an extensive and diverse body of work in which he influenced his forward-looking contemporaries and anticipated many 20th-century ideas and trends. Some of his most notable musical contributions were the invention of the, developing the concept of as part of his experiments in, and making radical departures in. His playing inspired Liszt to become a great virtuoso. Descargar discografias completas. After attending a on 20 April 1832, for the victims of a Parisian cholera epidemic, organised by, Liszt became determined to become as great a virtuoso on the piano as Paganini was on the violin. Paris in the 1830s had become the nexus for pianistic activities, with dozens of pianists dedicated to perfection at the keyboard. Some, such as and, focused on specific aspects of technique (e.g. The ' and octaves, respectively).
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While it has since been referred to as the 'flying trapeze' school of piano playing, this generation also solved some of the most intractable problems of piano technique, raising the general level of performance to previously unimagined heights. Liszt's strength and ability to stand out in this company was in mastering all the aspects of piano technique cultivated singly and assiduously by his rivals. In 1833, he made transcriptions of several works by Berlioz, including the Symphonie fantastique. His chief motive in doing so, especially with the Symphonie, was to help the poverty-stricken Berlioz, whose symphony remained unknown and unpublished. Liszt bore the expense of publishing the transcription himself and played it many times to help popularise the original score.
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He was also forming a friendship with a third composer who influenced him,; under his influence Liszt's poetic and romantic side began to develop. With Countess Marie d'Agoult [ ]. Franz Liszt's fundraising concert for the flood victims of Pest, where he was the conductor of the orchestra,, 1839 In 1833, Liszt began his relationship with the Countess.
In addition to this, at the end of April 1834 he made the acquaintance of [ ]. Under the influence of both, Liszt's creative output exploded. In 1835, the countess left her husband and family to join Liszt in Geneva; Liszt's daughter with the countess, Blandine, was born there on December 18. Liszt taught at the newly founded Geneva Conservatory, wrote a manual of piano technique (later lost) and contributed essays for the Paris Revue et gazette musicale. In these essays, he argued for the raising of the artist from the status of a servant to a respected member of the community. For the next four years, Liszt and the countess lived together, mainly in Switzerland and Italy, where their daughter,, was born in, with occasional visits to Paris.